In any good novel, and even in life, people can be influenced in both
positive and negative ways. In the three novels that we have read so far,
Great
Expectations,
Lés Misérables, and
Wuthering Heights, the main characters are
faced with negative challenges and influences. Positive guides and influences
also affect the characters in these books; the positive guides usually end up
winning in the end.
In Great Expectations, the main character of the story
was Pip. Some of the negative influences that Pip faces include poverty, low
self-esteem, abuse, fear, and lack of love. The poverty that Pip endured may
have been the cause of his low self-esteem, as well as the influence of Estella.
Estella influenced Pip by calling him a “common boy,” with “rough hands.”
The abuse that Pip suffered from his sister may have also contributed to his
lack of self-esteem, as well as the lack of love. An example of Pip being abused
was when his sister beat him into telling her what she wanted. Pip’s abuse also
contributed to his fear of authority figures (i.e. his sister).
Another
challenge that Pip was forced to face was that of a convict that he had helped
in the beginning of the story; a convict had threatened his life out of a want
for food, and Pip brought him food that he had stolen from his kitchen. Pip was
wary of helping the convict; after all, he had threatened his life! This nagged
at him, but in the end, the convict proved to be a great positive influence; his
benefactor. Also, his compassion and love for Estella proved to be a positive as
well as negative influence. Pip’s desire for Estella guided him in becoming a
“gentleman”; this is an example of existentialism; the belief that any
individual assumes the responsibility of their existence, allowing them to
control their own destiny. The real influence in his becoming a gentleman was in
fact, ironically, the convict; the convict financed his change, while Estella
only fueled his desire; without one or both of these essential influences, I
believe that Pip would not have become a “gentleman;” although Joe was a good
influence, with Estella on his back, he did not realize this. Pip’s change was
in response to Estella, he “learned” that he was just a common boy, and thus
could be considered both behaviorism and existentialism, while at the same time
part of Freudian psychology , because of his love/hatred for common life, and
his love/hatred for Estella.
I believe that Pip was able to overcome all of
the challenges that faced him by making friends and learning from them. Pip also
had a desire to do the right thing all along, but was clouded by the influence
of abuse, and other negatives. He also learned to please people as part of
behaviorism; he told/did what his sister wanted as a result of physical abuse.
In the end however, he learns that he was a gentleman all along.
The next
novel that we read, Les Misérables, is about a man named Jean Valjean, in the
time before the French Revolution. Valjean had just been released from prison at
the beginning of the story, and had been in jail for the previous nineteen years
because of stealing bread and subsequent escape attempts.
After being
released from prison, Jean is refused shelter everywhere, because of his yellow
passport, the yellow being a warning that he was an ex-convict. After being
refused at several places, and even a barn, Jean decides to sleep on a stone
bench, but is guided to the Bishop of Digne. The kind bishop gives him shelter,
but he does not act as kind as the bishop; Jean steals the Bishop’s silver, and
knocks the Bishop out before leaving. This is an example of behaviorism; a
response to being imprisoned; he learned to hate while in prison, he gained a
hatred and anger towards the French population. After being arrested, the Bishop
turns the tables and says that Jean is innocent; that the silver was a gift.
This is perhaps the first time that someone has been kind to Jean, and the
Bishop turns out to be his first positive guide/role model; a positive influence
in the form of a friend. This could also be interpreted as a way for Jean to
have some vengeance upon the French population for their lack of love or at
acceptance of the poor.
After learning from his positive role model, the
Bishop, Jean creates a new life for himself, under a new name, M. Madeline.
Under this new name, he creates a factory, and gives the poor people jobs. After
a while, a trial comes up, where a man is being charged under his name. At the
same time however, a factory worker is struck ill after Jean saves her when he
witnesses a shocking event of her being taunted and hurt. He then takes her in,
but she grows even more ill. After this, he promises to fetch her daughter from
the awful Thénardiers. He then testifies at the trial, this showing his change
from “bad” to “good,” and rescues Cosette, the worker’s daughter, after escaping
his arrest.
In the end, Jean Valjean proves himself a good person by
releasing a police detective that had been tracking him. This change was caused
by his reaction to the Bishop; behaviorism. This change also could have been in
response to his love for Cosette; Existentialism.
In the third book,
Wuthering Heights, we meet a character named Mr. Lockwood, who meets his
proprietor, Heathcliff, and learns quite a bit about his intriguing family. He
learns this from his housekeeper, who was a servant for the Earnshaw family for
many years. She tells him about long ago, when Mr. Earnshaw brought in a little
orphan boy, Heathcliff. Hindley, Mr. Earnshaw’s son, dislikes Heathcliff, but
Catherine and Heathcliff become best friends. Hindley’s hatred for Heathcliff
was brought on by Mr. Earnshaw’s protective attitude towards him. One day, Mr.
Earnshaw died, and Hindley made Heathcliff into a servant, which created anger
and hatred in Heathcliff. One day, when Heathcliff and Catherine were taking a
walk, the neighbors’ dog bit Catherine; the neighbors, the Lintons helped
Catherine, but Heathcliff was sent home in disgrace, creating a self-esteem
problem. After Catherine returns, about five weeks later, she is a changed
woman; she is a "lady.” Heathcliff resents this change, because he is sill dirty
and ragged, while she has grown more ladylike. This change makes Heathcliff
envious of Edgar Linton, a real gentleman in appearance. Later, Edgar proposes,
and Catherine accepts, because she could not marry Heathcliff because of his
“social situation.” Heathcliff hears this and leaves the countryside. They don’t
hear from him and the wedding continues. Heathcliff then returns, and he marries
Isabella Linton, because he wants revenge against the Lintons and would inherit
all of their land by marrying into the family. Later, Heathcliff goes to see
Catherine, but she later dies and leaves a daughter, Catherine II. Heathcliff is
deeply saddened by the loss and begs Catherine to haunt him, a show of his love
and compassion for her.
Six months later, Hindley dies, and Heathcliff owns
all of the Earnshaw land. Hindley’s son, Hareton is penniless, and must depend
on Heathcliff for everything. Later, Isabella trusts her son Linton to Edgar,
but Heathcliff demands that Linton come to Wuthering Heights, the Earnshaw
house, all par of his plan for vengeance against Edgar and the Linton family.
Catherine visits Linton and soon, they become engaged. Edgar then dies, and
Heathcliff demands Catherine II’s return to Wuthering Heights. In the end, in a
final show of his need for love from Catherine and need for vengeance against
Edgar and the Lintons, Heathcliff opens Catherine’s grave and wants to be buried
next to her.
This story shows how strange scenarios and lack of good
influence/good influences, can lead to someone horribly wrong. Heathcliff is
just that, a man with no good influences turned evil by the negative influences,
even though he started out good, this is precisely the opposite of the two
previous stories.
BIBLIOGRAPHY
Anonymous. “Learn about Pavlov’s Dogs.”
Pagewise, Inc. http://riri.essortment.com/pavlovdogs_oif.htm (17 March 2002)
Brontë, Emily. Wuthering Heights. New York: Dover Publications, 1996.
Freud, Sigmund. "Why War?” Introduction to Great Books. By Great Books
Foundation. Chicago: The
Great Books Foundation, 1990. 7-17.
Hugo, Victor. Les Misérables. New York: Fawcett Premier,
1997.